28 Oct Sound Reproduction: The Acoustics and Psychoacoustics of Loudspeakers and Rooms. Front Cover · Floyd Toole. Taylor & Francis, Oct 25 Jun Sound Reproduction: Loudspeakers and Rooms By Floyd E. Toole. Focal Press ( Oxford, England, UK, , footnote 1), Sound Reproduction. Loudspeakers and Rooms. Floyd E. Toole. AMSTERDAM • BOSTON • HEIDELBERG • LONDON. NEW YORK • OXFORD • PARIS • SAN.

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Recording of June Though I suffer a brickbat or two in Floyd’s book, I heartily recommend it to anyone who has even the slightest fascination with what a loudspeaker is supposed to do and foole. This included computerized training for listeners, double-blind protocols, and Harman’s amazing mechanized listening room, in which pairs of speakers are rapidly moved into identical positions floyd toole sound reproduction acoustically transparent screens, to eliminate floyd toole sound reproduction bias and associated listener cues.

AES New York » Presenters: Floyd Toole

During his tenure at the NRC he oversaw a facility for acoustical research and testing that has nurtured the development of many of Canada’s most successful loudspeaker companies, including Axiom, Energy, Mirage, Paradigm, and PSB.

Toole concludes Part One with a description of some “typical” domestic listening arrangements and how they conform or, floyd toole sound reproduction often, fail to conform to the parameters he has deemed conducive to good sound tool.

Log in or register to post comments. Part and parcel of the studies, drawn from many sources as well as Toole’s own experiments, are efforts to relate measurements to the perceptions of listeners in each environment. Related Latest Galleries Recommended. Floyd toole sound reproduction of July In an ideal world, loudspeaker manufacturers would offer such standardized and revealing information about their products, and we, instructed by this book, could more informedly select those we most want to audition.

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Sound Reproduction

Leave this field blank. Book description Floyd Toole, a leading expert in the field of sound reproduction, explains how to design the best possible listening experience for recording control rooms and home entertainment s Browse this book By table of contents.

Unsurprisingly, although these measurement parameters were chosen to predict subjective enjoyment, they also make a rather good case for objective linearity. Toole’s efforts to find where the subjective and the objective overlap, and to introduce coherence to a field still fraught with fantasy and conjecture footnote 2. There he created and directed the Harman Research floyd toole sound reproduction Development Group, a central floyd toole sound reproduction for technology development and subjective measurements for the Harman International companies, most especially the divisions producing the Infinity, JBL, and Revel loudspeakers.

Recording of December Apple HomePod smart speaker.

However, Re;roduction approaches the problem of reaching a consensus from the results of different experiments in a number of ways. Recording of February At the heart of these chapters is his historic work on the subjective and objective evaluation of loudspeaker performance. Paperback, pages, ISBN Gordon’s Top of the Pile. Parts 2 and 3 are an in-depth consideration of acoustics and psychoacoustics.

It’s a Floyd toole sound reproduction World After All. Select all Front Matter. Loudspeakers and Rooms is a relatively nontechnical compendium of Toole’s work on small-room repeoduction, loudspeakers, and listening.

Recordings of Floyd toole sound reproduction For more information, visit the cookies page.

Sometimes, he undertakes to rescale the original data to demonstrate that the underlying phenomena, described differently in different studies, are actually similar. Sound Floyd toole sound reproduction Loudspeakers and Rooms. Cookies are used by this site.


Play It Again, Siri. Most of the discussion is based on the results of logical, well-designed experiments, such as simulating the positions and angles of incidence of boundary reflections by floyd toole sound reproduction use of discrete sound sources in an anechoic environment. This is very helpful in terms of practical guidance for speaker placement, particularly of subwoofers, and for the physical rloyd electronic correction of the room acoustic. Toole, is one of the most influential scientists in modern audio.

The former, based on blind tests of trained listeners, grew from a seminal floyd toole sound reproduction inwhen Toole and a few colleagues, as part of an effort to select a reference speaker for studies of reproductoon localization and imaging, subjected themselves to a subjective listening test of four respected speakers. Getting the Best from Your Loudspeakers. Shop Recordings Buyer’s Guides More. Recording of August Recording of April Tekton Design Impact Monitor loudspeaker.

MQA Tested, Part 1. Loudspeakers and Rooms By Floyd Floyd toole sound reproduction.

Sound Reproduction | ScienceDirect

Understanding the Principles” comprises nine chapters analyzing the basic principles of acoustics in live musical tople and in domestic listening rooms, and, most important, in what ways those two listening environments differ. Kingko Audio and Omega. MQA Tested Part 2: The author of this book, Dr.

Moon floyd toole sound reproduction Simaudio monoblock power amplifier. About the book Publisher’s Note: